I always have been fascinated by photography. So I forced myself to go back to the roots of real analog photography. Not just by making the photograph itself, but by controlling the entire photographic process. This brought me back to the middle of the 19th century, to the amazing Collodion wet plate process. And every single day I feel challenged to refine and improve myself.

No unauthorized use of the photos on this site are allowed. Permission must be granted by William Dunniway.

Formation professionnelle continue pour les artistes auteurs. Collodion humide positif et négatif, Ambrotypes, Ferrotypes, Calotypes, Cyanotypes, Papiers salés, Papiers albuminés, Emulsions gélatino-bromure dargent. Les programmes des formations font lobjet dune adaptation.

Talks about the history of the wet plate processes. Fogging, oyster shells, sunbursts, bullets, comets, dry effect, peeling, ridges, scum, pinholes, etc. Ideas and remedies for resolving problems. Ideas and remedies for resolving problems.

DRY COLLODION NEGATIVE WORKSHOP at KENILWORTH CASTLE, UK. This rare mid-nineteenth-century negative process allows the preparation of plates months in advance of shooting and does not require a portable darkroom as is needed with the wet collodion process.